Article: The literary treasures of the Democratic Republic of Congo at the Royal Museum of Central Africa
The Democratic Republic of Congo (DRC) is a country with inestimable cultural and historical riches. Located thousands of kilometers away, the Royal Museum of Central Africa (MRAC) in Tervuren, Belgium, plays a crucial role in preserving Congolese history and identity. At the heart of this institution are literary treasures that offer valuable insight into the history and memory of the DRC.
Isabelle Gérard, head of the publication department at the RMCA, highlights the importance of these publications in the podcast dedicated to culture. She emphasizes that the main objective of these works is to allow the Congolese to access literature that reflects their identity, their memory and their history.
The RMCA, which will celebrate its 125th anniversary in 2023, is not only a guardian of African cultural treasures, but also a dynamic research center. The museum’s publications, whether scientific publications or works related to collections and exhibitions, play an essential role in the dissemination of knowledge about the DRC.
Accessibility to these publications is a priority for the museum. Many books are available online on the RMCA website, allowing a wide audience to access these literary treasures. This promotes the dissemination of Congolese history and strengthens the historical links between Belgium and the DRC.
But these publications go beyond simply preserving history. They also address contemporary issues, notably that of the restitution of Congolese works of art in Belgium. This sensitive subject fuels numerous international discussions and the RMCA plays a leading role in contributing to these debates.
The relationship between the DRC and Belgium is complex and tumultuous, marked by colonial history. RMCA publications are a way to maintain and strengthen these connections, while honoring cultural diversity and recognizing the rich heritage of the DRC.
Listening to the interview between Emmanuel Kuzamba and Isabelle Gérard offers a fascinating insight into how RMCA publications preserve the history, identity and memory of the Democratic Republic of Congo. It is a testimony to the importance of literature in the conservation and transmission of cultures.
In conclusion, the RMCA and its publications are valuable sources for those who wish to discover and deepen their knowledge of Congolese history and culture. Thanks to these literary treasures, the link between Belgium and the DRC is enriched and nourished, thus contributing to the promotion of Congolese identity and the preservation of its heritage.