The Mystery of “Kataklé”: In Search of the 27th Missing Treasure of Abomey


In the fascinating world of the royal palaces of Abomey, a persistent mystery hovers around the 27th treasure that seems to have disappeared in the twists and turns of history. When France returned to Benin, three years ago, 26 works looted by Colonel Dodds in 1892, a sacred stool named “Kataklé” was nowhere to be found. This piece, a symbol of the cultural and artistic wealth of the kingdom, has since escaped the collective memory, leaving an enigmatic and mysterious void.

The history of this precious art object has been revived thanks to the initiative of art historian Marie-Cécile Zinsou, who embarked on a fascinating quest to find its trace. Her determination to unearth the vestiges of the past and re-establish the truth about Beninese cultural heritage has given rise to a captivating investigation, plunging listeners into the buried secrets of the palaces of Abomey.

The “Kataklé”, by its conspicuous absence, embodies much more than just a missing piece among other treasures. It symbolizes the resilience of a nation confronted with the ravages of colonization and the plundering of its cultural property. Its mysterious disappearance reveals the unfinished work of memory around colonial pillaging and invites a deep reflection on the restitution of African art objects held by former colonial powers.

Through the captivating story of the investigation into the “mystery of the 27th treasure”, listeners are immersed in the heart of a quest to preserve the history and identity of a people wounded by the torments of history. This exploration of the lost treasures of the palaces of Abomey raises essential questions about the preservation of collective memory and the rehabilitation of plundered cultural heritage.

The exhibition of the “Kataklé” during a presentation of confiscated art objects in Benin reveals the symbolic importance of this masterpiece in the context of the restitution of looted works. Its absence highlights the persistent gaps in the reconquest of historical memory and calls for a collective awareness of the urgency of protecting and promoting Africa’s rich cultural heritage.

In short, the quest for the “Kataklé” will endure as a poignant reminder of the imperative to restore Africa’s cultural and artistic dignity, curbed by centuries of dispossession and erasure. The story of this lost treasure resonates as a call for recognition and respect for African heritages, anchored in a collective memory forever marked by the scars of the past.

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