In the glamorous world of cinema, announcements of new films and projects often generate a lot of interest. Recently, renowned actress, Fathia Williams, created a buzz by revealing on social media the imminent release of her latest film, “Efunroye: The Unicorn.” The release of the official poster of the film, which reads “Power, Trade, Legacy,” captivated the attention of netizens.
The story of the film focuses on the historical figure of Efunroye Osuntinubu, a Yoruba aristocrat born in 1805. In the pre-colonial and colonial era of Nigeria, she was both a trader and a slave trader. With great influence, Efunroye is said to have established a thriving trade network with European merchants, dealing in slaves, tobacco, salt, cotton, palm oil, coconut oil, and firearms. She also owned over 360 personal slaves.
The release of the poster has sparked strong reactions, particularly given the historical figure’s controversial past. However, Fathia Williams has been keen to clarify the intentions of her film. In a heartfelt message on social media, she stressed that “Efunroye: The Unicorn” is not intended to glorify or distort the image of Efunroye Tinubu, but rather to present her life in a balanced and nuanced manner.
As a filmmaker, her goal is to bring Nigerian narratives to life on the silver screen, exploring the triumphs, challenges and complex legacies left by historical figures such as Madam Tinubu. She insists that the film is inspired by true events and aims to provoke reflection on our shared history, in all its diversity and complexity.
Ultimately, “Efunroye: The Unicorn” represents an artistic attempt to shine a light on a complex personality in Nigerian history, without seeking to romanticize or demonize her past. This film offers a unique opportunity to delve into the tumultuous past of this iconic figure, and to question the nuances and contradictions that characterize our common historical heritage.