In the African literary world, a new stage has begun with the surprising announcement of the end of the Orange Book Prize in Africa (POLA), by the Orange Foundation. After illuminating the continental literary scene for six editions, the POLA leaves behind an indelible mark, having rewarded African authors and publishers and contributed to highlighting the narrative diversity of the continent.
This abrupt decision sparked various reactions within the POLA jury, whose members were taken aback by this announcement without notice. The lack of prior communication was strongly criticized, leaving a taste of unfinished business in the African literary sphere. Indeed, the local committees responsible for pre-selecting works were excluded from the decision, highlighting a lack of transparency in the management of this prestigious prize.
The POLA, as the only African prize with a decolonial spirit, had succeeded in establishing itself in a few years as an essential reference in the literary landscape of the continent. By rewarding African authors and publishers, it had paved the way for international recognition of the contribution of African writers to world culture.
The Orange Foundation justifies this withdrawal by highlighting its desire to refocus its actions on education in schools through associations. A commendable direction, but one that leaves a void in the African literary landscape, depriving authors and publishers on the continent of an essential platform for visibility and support.
The impact of the disappearance of POLA will be felt on several levels. First, on a symbolic level, by marking the end of an era for lovers of African literature. Then, on a concrete level, by depriving many African authors and publishers of recognition and valuable financial support for the promotion of their works.
It is therefore crucial that other initiatives emerge to fill this void left by the disappearance of POLA. The richness and diversity of African literary voices deserve to be celebrated and supported, not only for their artistic value, but also for their contribution to the enrichment of global culture.
In conclusion, the end of the Orange Book Prize in Africa (POLA) marks the end of an important page in contemporary African literature. It is now essential that new platforms emerge to continue to highlight the creativity and diversity of African authors and publishers, so that their voices resonate beyond the borders of the continent.