Title: “The new collection of caricatures “Fin de course” by the artist Kash: an incisive look at political news”
Introduction :
The launch of the latest collection of caricatures entitled “Fin de course” by Congolese artist Thembo Muhindo Kashauri, also known as “KASH”, took place at the National Museum of the DRC. With this fourth album, the talented artist offers a compilation of his political drawings, highlighting significant events in Congolese political news. By using his art to denounce the abuses and weaknesses of political actors, Kash creates a true satirical dialogue with the public.
The themes :
In his collection “Fin de course”, Kash addresses several crucial themes which have marked political news in the DRC. Among them, we find the death of Étienne Tshisekedi, an emblematic figure of Congolese politics, as well as subjects such as insecurity in the east of the country and the reign of Joseph Kabila. Through his drawings, the artist expresses the concerns, worries and frustrations of the Congolese people.
The style and scope of the work:
Professor Hilaire Mbiye, during the analytical reading of the collection, underlines the seven-chapter structure of the work. It highlights Kash’s choice to use political caricature as a means of expressing the dissatisfaction of the Congolese people and denouncing the abuses of political actors. This form of artistic expression also allows the artist to capture the anxieties and discouragements that inhabit him.
An intentional communication tool:
Beyond its satirical aspect, Kash’s collection “Fin de course” also presents itself as an intentional communication tool. It aims to fight against the dehumanization of the Congolese people by highlighting the significant events in the political history of the country between 2012 and 2018. This collection is close to the journalistic chronicle, by chronologically retracing the facts and events which shaped the political reality in the DRC.
The journey of the artist Kash:
Kash, originally from Butembo in North Kivu, studied graphic arts at the Academy of Fine Arts in Kinshasa. Since his debut as a cartoonist in the newspaper Le Phare in 1990, he has become a reference in the DRC and Africa. His creations have earned him numerous national and international awards. In addition to his artistic work, Kash also worked as an advertising designer for several advertisers.
Conclusion :
Kash’s new collection of caricatures “Fin de course” offers an incisive look at current Congolese politics. Through his satirical drawings, the artist highlights the problems and injustices that affect the Congolese people. With his unique style and critical vision, Kash establishes himself as a committed and talented artist, using his art as a means of denouncing and reflecting on society. His work is a powerful testimony to freedom of expression and the power of caricature in the Congolese artistic landscape.