### Report of the concert “Solidarité Congo”: between historical tensions and hope
The cancellation of the “Solidarité Congo” concert, scheduled for April 7, 2025 in Paris, exceeds a simple logistics: it reveals the deep tensions between the Democratic Republic of Congo (DRC) and Rwanda, exacerbated by the weight of historical memory. Chosen to allow the participation of Muslim artists during Ramadan, the date raises questions on freedom of cultural expression in the face of tragedies of the past.
The fears of the prefect of Paris concerning a potential disturbing public order testify to an institutional aversion to events loaded with emotion. The Congolese government, through Patrick Muyaya, also highlights the politicization of this event, stressing how tragedies can be manipulated for contemporary purposes. The concert aimed to unite voices for solidarity and awareness, but its postponement questions the role of culture in a disturbed political climate, often perceived as a battlefield rather than a space of reconciliation.
This postponement opens a crucial debate on how to maintain live culture and engaged in a world of conflicts. The future of cultural initiatives is based on the community’s ability to unite to make their voices heard, transcending the past while honoring memories. Beyond disappointment, this moment could be the catalyst for a new era of unity and hope.