Title: “The Return of the Ghosts: when art calls into question the restitution of human remains”
Introduction:
When story meets art, it can give birth to powerful and engaged artistic creations. This is the case of the show “Le Retour des Fantômes”, staged by the Groupe 50-50, which addresses the sensitive issue of the restitution of human remains. Inspired by a true story that occurred in 1950 in the Democratic Republic of Congo (DRC), this play aims to stimulate reflection and provoke debate on a subject often unknown to the general public.
The historical context:
In 1950, Swiss doctor Boris Ade exhumed seven Mbuti bodies, members of a community of Pygmies living in the Wamba territory in the east of the DRC. These human remains are then taken to Europe for research purposes. Sixty years later, the skeletons are still kept in the laboratory of the University of Geneva, despite the signing of a transfer agreement with the University of Lubumbashi in the DRC. This situation raises questions about the legitimacy of the conservation of human remains and the necessity of their restitution.
The show: “The Return of the Ghosts”:
It is in this context that the 50-50 Group created the show “Le Retour des Fantômes”. This play features committed artists who use their talent to draw attention to this issue. Through powerful staging, performances and dialogue, the audience is immersed in a reflection on human dignity and the need to provide justice to those whose remains were taken.
The objective of the piece:
The ultimate goal of the show “The Return of the Ghosts” is to raise awareness and spark a debate on the restitution of human remains. The artists of the 50-50 Group wish to raise public awareness of this often neglected issue and encourage constructive exchange. Through art, they provide a platform for questioning past archaeological practices and exploring solutions that are ethical and respectful to communities whose remains have been unjustly removed.
Conclusion:
The 50-50 Group’s show “The Return of the Ghosts” is a striking example of the use of art to address sensitive issues and recall often forgotten stories. By highlighting the history of the restitution of human remains, this play encourages the audience to think about the importance of respecting the fundamental rights of each individual, even after their death. It is a call to action for greater humanity and collective awareness.