The Festival of Intercultural Meetings of the Circus of Abidjan (RICA) recently celebrated its seventh edition, in a socio-economic context where art and education meet to approach contemporary issues such as clandestine gold panning and the outset of young people. By highlighting the issues related to mining, through shows such as “the thirsty for yellow metal”, the festival is positioned as a space for awareness and reflection on critical issues for local communities. This approach, carried out by actors of civil society and artists, raises questions about the impact of cultural initiatives on the perception of young people and the possibility of opening up future prospects. In an environment where culture can play a key role in awareness and social cohesion, it appears essential to consider how the arts of the spectacle can shape discourses and influence behaviors in a changing environment.
Category: Sociocultural
Fumbwa, an emblematic dish based on Africanum gnetum, is indicative of a rich culinary tradition in the Democratic Republic of Congo, carrying significant cultural and economic issues in it. It symbolizes not only a strong link with ancestral roots, but also raises concerns about its transmission to future generations in a context of globalization and rapid evolution of eating habits. Indeed, the growing popularity of fast foods highlights the fragility of this traditional know-how, which, if preserved, could also play a crucial role in local economic development through sustainable practices. Through the exploration of the Place du Fumbwa in contemporary Congolese life, tracks are taking shape to encourage its inheritance while allowing it to evolve in a modern and dynamic setting.
In a constantly evolving world, understanding family dynamics within ethnic communities is essential to understand the diversity of human experiences. The book by Costa Ayiotis, *Matriarchs, Meze and the Evil Eye *, offers a relevant reflection on his personal career and the complex interrelations linked to it. By relying on universal themes while anchoring his words in his Lebanese culture, the author explores the notion of ethnicity, the often ambivalent roles of matriarchal figures, and the family tensions that result from it. Through this work, Ayiotis invites us to consider not only the roots of intergenerational conflicts, but also the possibilities of dialogue and cultural sharing, thus contributing to a nuanced understanding of human relationships. What lessons can we learn from these stories to enrich our coexistence within various societies?
In a world where political and economic upheavals cause a climate of uncertainty, it is legitimate to question our ability to reinvent us and build more resilient. Far from stopping at purely financial aspects, this reflection finds echo in the daily experiences of those who, like a former journalist who has become second -hand dealer, manage to transform passions into entrepreneurial initiatives. Through the exploration of flea markets, these individuals are not only rediscovered unsuspected skills, but also the richness of social and cultural interactions. This raises questions about the value we attach to everyday objects, as well as the way in which these activities can promote a sustainable local economy. In this context, the search for meaning and connection, far from being a simple personal challenge, becomes a real collective issue. This journey redefines our perceptions on commitment, consumption and cultural heritage, while inviting us to reflect on the way in which we build our identity in a perpetual evolution world.
In the digital landscape in full evolution of the Democratic Republic of Congo (DRC), the “Mediacongo code” is distinguished as a unique and innovative identification tool, but also as a revealer of the country’s social and cultural complexities. Composed of seven characters and preceded by the symbol ” @”, this code aims to facilitate interactions within the first information platform of the DRC, while carrying essential questions on anonymity, moderation of content and freedom of expression. The cultural and linguistic diversity of the DRC poses an additional challenge in the management of online exchanges, inviting to a nuanced reflection on the need for a balance between the protection of users and collective responsibility. Thus, the MediaCongo code offers a window on the dynamics underlying online social relations, while opening the way to an exploration of the issues related to the management of a discussion platform in a sensitive context.
The exhibition of the Malagasy artist and photographer Rijasolo, entitled “La Nuit carries light”, which takes place at the H foundation in Paris, marks a pivotal moment in his artistic journey. Known for his photojournalism work, Rijasolo is moving away here from the often difficult representations of reality to explore more personal and introspective themes. This approach raises essential questions on the role of art in the representation of cultural and social realities, in particular that of Madagascar, often perceived through a prism of stereotypes. Through its exploration of nightlife and the contradictions inherent in Malagasy society, Rijasolo initiates reflection on the ability of art to offer nuanced stories, encouraging spectators to reconsider their perception not only of Madagascar, but also of the narrative power of art in a world saturated with information.
The recent gathering at the Petit Palais in Paris, bringing together nearly 900 enthusiasts of the French language around a giant dictation, offers an opportunity conducive to exploring the issues linked to contemporary linguistic education. This event, which revives school memories for some while emphasizing the constraints for others, highlights a tension between tradition and modernity in learning the French language. While dictations evoke both rigor and nostalgia, they also raise questions about their role in the current school curriculum and how they can be reinvented to meet the various needs of students. The evolution of language, faced with the influence of technologies and cultures, therefore calls for a systematic reflection on teaching methods in order to celebrate the richness of the language while guaranteeing a positive and inclusive learning environment.
The 78th edition of the Cannes Festival, while celebrating cinematographic art, presents itself as a reflection of social developments and underlying tensions of industry. In a context where questions of sexual violence and female representativeness occupy a central place in public debate, this event aims to be a space for engagement and questioning. With the competition of several directors and the presence of emblematic figures such as Scarlett Johansson, the festival offers the opportunity to reflect on gender dynamics and power mechanisms that influence cinematographic creation. However, this desire for inclusion raises questions about the sustainability of changes committed and on the impact of celebrity in a discourse often dominated by the story of marginalized voices. Thus, Cannes could become a model of diversity, or remains a challenge for the whole industry? The way in which these issues will be tackled could well shape the future of cinema and the stories he tells.
The recent inauguration of the Viola Davis wax statue at the Mrs. Tussauds museum illustrates both the recognition of an emblematic career and the wider issues linked to representation in the entertainment industry. An actress of renowned and first African-American woman to win an EGOT, Davis embodies values of equality and diversity that resonate beyond her personal success. This tribute raises reflections on how artists from minorities are represented and celebrated in contemporary media. Through this symbolic moment, essential questions emerge as to the impact of such recognitions on the perception of diversity and on the ways to follow to encourage greater inclusion in art and culture.
The 78th edition of the Cannes Film Festival was recently distinguished by an assertive desire to deal with sexual violence within the film industry, at a time when these questions arouse an awareness carried by social movements such as #MeToo. By trying to adopt a more serious message, the festival opens the way to a deeper reflection on security and respect for individuals in the cinema world. If this initiative raises questions on the implementation of such ideals in the daily practices of professionals, it also evokes the need for an inclusive approach that engages all actors, including men, in the construction of a more respectful artistic environment. This turning point takes a resonance which could exceed the framework of the festival to inspire other sectors of society in their quest for a lasting change. Thus, the Cannes Film Festival, by putting these themes forward, does not only call for change; He appeals to a collective reflection on the way in which art and culture can contribute to a space for dialogue on crucial societal issues.