“Vielleicht”: A Burning Dive into German Colonial History in Africa

Discover Cédric Djedje
When we talk about German colonial history in Africa, a veil of ignorance seems to cover many minds, including in Germany. However, the dark hours of German colonization in Africa must not be relegated to the dustbin of history. It is crucial to recognize the atrocities committed, such as the first genocide of the 20th century perpetrated by the troops of the Second German Reich against the Herero and Nama peoples in Namibia between 1904 and 1908.

At the heart of this dark memory is the African quarter in Berlin, a symbolic place where the imprint of German colonialism is still present. The play “Vielleicht”, performed by Cédric Djedje, explores this little-known yet crucial history. By exploring the fight of Afro-Descendants campaigning for the change of street names dedicated to German colonialists, the show plunges us into the heart of a struggle for memory and justice.

The urgency of this confrontation with the colonial past of Berlin’s streets lies in the need to break the silence and confront an often ignored legacy. Cédric Djedje, an artist born in Paris to Ivorian parents, reminds us of the importance of questioning our imaginations and deconstructing the colonialist narratives that have shaped our societies. Through his work, he invites us to reflect on the mechanisms of decolonization, both politically and personally.

Controversial street names such as Lüderitz, Nachtigal, and Peters reveal the dark side of German colonization in Africa. These men, founders of private colonial empires, marked history with their greed and brutal actions. The story of Lüderitz, nicknamed “Lügen-Fritz” for his shenanigans and deception, bears witness to the cruelty and inhumanity of German colonization.

Despite the recent street name changes in Berlin, the show “Vielleicht” remains of burning relevance. Beyond the political victories, Djedje’s work invites us to reflect on the emotional and daily impact of these struggles for memory and justice. The 40 years of struggle of the activists are not just a succession of numbers, but a reflection of unwavering resilience and determination.

Ultimately, “Vielleicht” reminds us of the importance of not forgetting the dark pages of our history, but also of celebrating the strength and perseverance of those who fight for truth and justice. It is by confronting our colonial past that we can build a fairer and more enlightened future for all.

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