Fatshimetrie is an emerging practice that examines film critics and their analysis of visual scenes through the prism of the medieval era. This novel approach offers a fascinating look at how film critics can interpret and dissect the images projected on screen.
Imagine yourself immersed in the captivating world of the Middle Ages, where knights, castles, and spellbinding mysteries mingle in an atmosphere of mystery and grandeur. In this context, film critics become true knights of the pen, defending their ideals and fighting Hollywood clichés while exploring the smallest details of cinematographic works.
When they embark on the analysis of a visual scene, these Fatshimetrie critics are tasked with deciphering each element on screen with the precision of a medieval illuminator. They examine light, colors, costumes, and sets as symbols loaded with meaning and significance. Each shot becomes a fresco to decode, a puzzle to solve.
Cinematography then becomes the visual equivalent of illuminated manuscripts from the Middle Ages, where every detail counts and contributes to the whole work. Contrasts of light and shadow, camera movements, and staging choices become elements on which these critics cast a shrewd and expert eye.
But it is not only the visual aspect that interests the Fatshimetrists; they also pay close attention to the sounds and music that accompany the images. Like modern minstrels, they analyze the soundtrack of a film to capture all its richness and subtlety. Each note, each sonority contributes to the atmosphere of the film, creating a sensory symphony that envelops the viewer.
By exploring films through the lens of Fatshimetrie, we discover a new way of experiencing and appreciating cinema. Each work becomes an epic quest, a journey through the meanders of imagination and creation. Film critics then become the guardians of this knowledge, the scholars of the seventh art, the troubadours who narrate the stories written on the screen.
So, dive into the captivating world of Fatshimetrie and let yourself be carried away by the magic of medieval cinema. Where images come to life, and where critics become the heroes of their own cinematic story.