### Rehabilitation of the memory of the Tam-Tam drummer: a reflection on the Congolese cultural heritage
On May 13, 2025, a call for the rehabilitation of the memory of Albert Nkumbu Nkikumba, an emblematic tam-tam drummer, was launched by several Congolese artists. This advocacy, relayed by the ACP agency, raises essential questions concerning the recognition and preservation of cultural figures in the Congolese context. By leaning on this monumental sculpture erected in 1969 at the International Fair of Congo-Kinshasa (Fickin), it is crucial to explore the implications of this request on cultural heritage and national identity.
#### An underestimated cultural heritage
The importance of Albert Nkumbu Nkikumba in the history of Congolese music is undeniable. Originally from Ndibu, he marked his time by his exceptional talent during parties and rituals, becoming an inspiring figure for artists of his time. However, it is regrettable to note that neither he or his artist, Lufua Mawidi, have received official recognition. According to Franklin Mokho, cultural columnist, these personalities were “forgotten” even though their work continues to “nourish the window of the country”. This contrast is indicative of a broader challenge: the difficulty of paying homage to the historical figures that have shaped culture, especially when these figures come from modest environments.
### Sculpture and its message
The sculpture of the Tam-Tam drummer has become a postcard from Kinshasa, admired by the Congolese and tourists without his real message being understood. This phenomenon raises the question of cultural education. How to transmit the history of these monuments and their creators to present and future generations? It seems essential to create educational platforms that connect and shed light on the cultural, social and historical context linked to these works.
#### A call to action
The wish expressed by Franklin Mokho to rehabilitate the memory of Albert Nkikumba could be seen as an opportunity not only to pay tribute to the artist, but also to strengthen the link between the present and the country’s cultural past. What are the steps that artists and authorities could consider to materialize this rehabilitation? It could be, for example, the creation of commemorative cultural events, initiation to educational programs, or even the name of public places in honor of these historical figures.
#### The role of cultural actors
The commitment of contemporary artists in this approach is a step towards revitalization of a collective memory. Their voices can amplify concerns relating to the recognition of the Congo’s cultural history, promoting a dialogue on the way in which the country honors its heroes. This can also encourage a reflection on the importance of cultural diversity, not only as an asset, but also as a responsibility to transmit to the next generations.
### conclusion: a memory to build together
The request to rehabilitate the memory of the Tam-Tam drummer constitutes a call for action for the whole of the Congolese company. By honoring personalities like Albert Nkumbu Nkikumba, not only the country recognizes its past, but it also gives future generations the tools necessary to understand, appreciate and continue this cultural heritage. The implementation of this advocacy could thus contribute to creating a stronger national identity, based on the valuation of its history and its emblematic figures.
In short, this approach should not be envisaged as a simple celebration, but as a collective project aimed at forging links between the past and the present, to cultivate a living memory, and to strengthen the feeling of belonging to a nation rich in its cultural diversity.