### A festival at the heart of emotions and debates: Cannes 2025
The famous Cannes Film Festival, which opens when many sectors of society seem to be oscillated between celebration and protest, attracts a diversity of artists and professionals each year. On this May 13, 2025, the palpable effervescence on the Croisette highlighted various stories that intersect in a prestigious setting.
#### An artistic celebration under the sign of commitment
Christina Duschak, independent fashion photographer, represents this new generation of artists who seeks to make a place in the highly codified universe of cinema and fashion. Originally from Ukraine and now based in London, she embarks on her first Cannes Film Festival with the ambition to capture the essence of Cannes glamor. His enthusiastic determination, a reflection of a dream, is accompanied by an often overlooked reality: competition to attract attention to a saturated environment.
The fact that his discovery of the festival coincides with a day dedicated to the war of invasion of Ukraine underlines the complexity of the emotions which mix with this event. The special programming that highlights the current conflict reminds us that behind the flicker of red carpets and glamorous appearances, there are tragic stories that deserve to be listened to.
#### Kalapapruek: looking for novelty
While some focus on the attraction of celebrities, others, like Kalapapruek, a Thai film critic, immerse themselves in the richness of the cinematographic offer. His quest for “new and unique explanations” underlines the importance of a deeper and nuanced exploration of the works presented.
We should wonder: how can small productions, often overlooked by the mainstream media, help widen our perspective on the world? Kalapapruek, looking for innovative stories, embodies this path to a cinema which is not content to reproduce proven narrative patterns, but which dares to explore hidden emotions and truths.
#### A festival agitated by controversies
In parallel, the Cannes scene is darkened by recent events, such as La Tribune des Artistes for Gaza. This collective speech highlights the responsibility of the film industry in the face of global issues. It is essential to reflect on the implications of this protest voice: how can artists influence public opinion and draw attention to humanitarian crises?
Another striking fact is the condemnation of Gérard Depardieu for sexual assault, which questions the way in which the film industry manages inappropriate behaviors. How can the cinema world evolve to protect victims and promote a safe and respectful work environment?
These events bear witness to a tension between the brilliance of the festival and the social and ethical repercussions which result from it. They make it possible to raise questions about ethics in cinema and far beyond: what are the necessary conditions for art to also be a vector of change?
#### Final reflections
The Cannes Film Festival in 2025 reveals a complex panorama where personal aspirations mix with socio -political issues. While photographers, criticisms and actors are preparing for the great opening, it is crucial to maintain an acute awareness of the challenges that arise in the entertainment industry.
Through the accounts of creators such as Christina Duschak and Kalapapruek, we perceive a desire to make a festive event a dialogue platform on deep and urgent issues. Cannes, far from being that a simple place of glamor, asserts itself as a space where culture and social commitment can, and must coexist.
It is therefore up to each of us – artists, journalists, spectators – to question our role in the face of these issues. This could serve as a starting point for a collective reflection on the meaning of art in a constantly changing world. In the end, cinema has this unique power to arouse discussions and inspire actions, reminding us that behind each image, there is a humanity to listen to.