### The “Herds” crossing: an artistic journey at the heart of the climate crisis
The artistic project entitled “The Herds” is part of a humanist approach, aimed at raising awareness of one of the most acute crises of our time: climate change. Composed of cardboard puppets representing animals, this show moves from the Democratic Republic of Congo to the Arctic Circle, stopping in emblematic cities, including the Makoko community in Lagos, Nigeria. Through this initiative, creators approach a complex problem often perceived as distant and abstract.
#### A powerful metaphor
Beyond the playful aspect of the puppet theater, “The Herds” deploys a rich and evocative metaphor. Amir Nizar Zuabi, the artistic director, evokes animals forced to leave their habitats by the brutality of climate change, a reality that is already manifested for many species in the world. This current phenomenon raises crucial questions: what do we lose when biodiversity evaporates under the impact of our energy choices? How do these transformations linked to our daily lifestyle affect future generations?
### The collaborative dimension
A fundamental element of the project lies in collaboration with local artists at each stage of the route. Mihlali Bele, a projector of the project, underlines that the training of local artists is not limited to learning to handle puppets. This process creates links between participants and their community, promoting a dialogue around environmental issues while highlighting local talents often overlooked. This approach opens up a space for shared reflection, where art becomes a means of expression and community engagement.
### Local and global challenges
It is crucial to locate this initiative in a larger context. Makoko, like many coastal communities, is particularly vulnerable to the effects of climate change, especially by rising the level of the seas. This daily reality makes it above all tangible the themes addressed by “The Herds”. To what extent can artistic projects like this really influence local and national climate policies? The answer is not simple and raises challenges of collective responsibility.
#### Critical reflection
However, it is legitimate to wonder if an artistic project can really have a significant impact in the face of the complexity of climatic issues. Can we rely on art to replace political action, strict regulations on greenhouse gas emissions, or the development of renewable energies? On the other hand, symbolic actions can sometimes cause awareness, encouraging a wider mobilization.
### Conclusion: towards a lasting commitment
The journey of “The Herds” reminds us, by its symbolic character, the urgency of a collective reflection on our relationship to nature and resources. Beyond the simple entertainment, this initiative is part of an approach to awaken consciences. The discussions aroused by these performances could encourage constructive dialogue, both within local communities and on a global scale, on the measures to be taken to preserve our planet.
Ultimately, while “The Herds” seeks to settle in Dakar, the last stage of its African journey, it is essential to question not only the artistic impact of this project, but also its potential to catalyze a tangible and positive change in the face of the environmental challenges that await us. How to make sure that the lessons learned from this experience are reflected in concrete actions after the departure of puppets? This is the whole mission that remains on the horizon of this artistic journey.