### Violence and resilience: the case of Hamdan Ballal at the heart of the occupation
At the crossroads between the documentary cinema and the tragic realities of the field, the journey of Hamdan Ballal, a winner of an Oscar for his film “No Other Land”, highlights not only the struggle of the Palestinians in the face of the expansion of the Israeli colonies, but also the way in which culture and art can be weapons against oppression. In a context of prolonged and complex conflict, this tragic incident raises crucial questions about the responsibility of the international community, the impunity of human rights rapes, and the impact of the narrative narrative in the face of systematic violence.
#### Cinema as a means of resistance
Ballal used the documentary as a vector to attract international attention to the suffering of the Palestinians, an approach which has not only forged his identity as an artist but also galvanized support around the Palestinian cause. Indeed, documentaries have the power to humanize situations often considered through political or military prisms. In this sense, his Oscar does not only symbolize artistic recognition, but also a platform for talking about the injustices that thousands of Palestinians undergo daily.
#### A state of distress and impunity
The attack suffered by Ballal is a reflection of a climate of violence which, according to many organizations, has intensified with the expansion of the Israeli colonies. Amnesty International has in the past qualified the violence of the colonists as part of a state campaign supported by Israel. What is striking is that the extent of these attacks seems to be in line with alarming statistics on current violence in the occupied territories: according to a recent report, violent incidents have increased by almost 60 % since the start of hostilities in October 2023.
#### An uneven international reaction
It is essential to highlight the reaction (or its absence) of the international community in the face of such events. If the accounts of human rights violations by Israeli settlers flock, they are too often welcomed with an accomplice silence by the Western powers, whose foreign policy in matters of human rights appears biased. Hamdan Ballal’s comments on the laughter of Israeli soldiers evoking his Oscar are indicative of an impunity culture which not only dehumanized the Palestinians, but also incorporates a feeling of triumph among certain segments of the Israeli population.
#### A historical parallel: art and resistance
Going back in history, it is interesting to compare the Ballal course with other artists who used their platforms to challenge oppression. Let us think, for example, of Pablo Neruda, who used poetry as a political weapon, or of Ai Weiwei, whose art denounced human rights abuses in China. Like these figures, Ballal embodies the belief that art can cause social change. However, resistance is not without risk, especially when the occupier seeks to stifle this voice.
#### Cultural and social repercussions
The fact that such violent attacks occur when Palestinians seek to share their experiences reinforces the idea that visual culture has become a full -fledged battlefield. The media and artistic representation of these stories is not just a simple narration; It is an act of affirmation of human dignity and resistance.
In addition, the consequences for Ballal children are also worrying. Little Laureen, witness to violence, will grow in an environment where fear and uncertainty become commonplace. This raises questions about the sustainability of such a cycle of violence which, if it is not interrupted, will mark future generations.
#### Conclusion: A call to action
The story of Hamdan Ballal illustrates the imperative need for a paradigm change, not only in the perception of human rights in Palestine, but also in the strategies adopted by the international community in the face of these violations. At a time when indifference seems to predominate, it is crucial to remember that behind each figure, there is a life, a story, and a fight for dignity. Ballal’s voice, and that of so many others like him, must be listened to so that future stories are less tinged with violence and more imbued with peace and justice.