The question of covering the funerals of musical artists in the Democratic Republic of Congo

Fatshimetry

The question of covering the funerals of musical artists in the Democratic Republic of Congo gives rise to lively debates within society. Each time a musical artist falls ill or dies, his or her biological or professional family requests the intervention of the State to cover health or burial costs. This practice, which has become almost systematic, raises questions about the role of the State in supporting artists and about fair treatment compared to other professions.

It is undeniable that musical artists, through their talent and their contribution to Congolese culture and identity, deserve special recognition. Their art is a vector of values ​​and unity for society. However, is it legitimate for the responsibility for their care to systematically fall to the State? This question raises complex issues linked to the promotion of culture, national solidarity and social justice.

On the one hand, some believe that musical artists, as emblematic figures of Congolese culture, deserve specific protection and particular care in the event of illness or death. Their contribution to the influence of Congolese music on a national and international scale justifies, according to them, official recognition and financial support from the State.

On the other hand, voices are being raised to question this practice and highlight the absence of objective criteria in the allocation of this financial support. Why should musical artists benefit from state support while other equally deserving professions remain forgotten? This situation raises the question of fairness and transparency in the allocation of public resources.

Faced with this dilemma, it is essential to rethink the role of the State in the protection and promotion of Congolese culture. Rather than intervening in an ad hoc and sometimes arbitrary manner, the State could put in place lasting support mechanisms for musical artists, based on transparent and fair criteria. Specific funds could be dedicated to the health and social security of artists, guaranteeing fair and uniform care for the entire artistic community.

Ultimately, the question of covering the funerals of musical artists in DR Congo raises essential issues in terms of recognition, equity and national solidarity. It is time to rethink cultural and social policies to guarantee fair and lasting support for those who, through their art, enrich and shape the cultural identity of the Congolese nation.

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